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TextCTheWuydeMaupassant
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TranslatedbyLeoWiener
[1]Itwas，Ithink，ihatTurgenev，duringavisitatmyhouse，tookaFrenovel，uhenameofMaisoofhissatdgaveittome.That’sit!
[2]“Readit，ifyouhaveace，”
hesaid，apparentlywithiastheyearbeforehehadhandedmeaheRussiah，inwhichtherewasanarticlebyGarshin，whowasmaki.Evidently，asinthecaseofGarshin，soevennow，hewasafraidhemightinfluenonewayoranother，aoknowmyuninfluenion.
[3]“Heisayouhor，”
hesaid;“lookatit，—itisnotbad;heknowsyouaeemsyouverymuch，”
headded，asthoughteme.“AsamanheremindsmeofDruzhiasextasonandfriend，unhommed’unercesur，aswasDruzhinin，and，besides，hehasrelationswiththelabpeople，whomheguidesandaids.EveniowomenheremindsmeofDruzhinin.”
[4]AoldmesomethingremarkableandincredibleioMaupassaionsi.
[5]Thistime，theyear1881，wasformethemostardeheiionofmywholeworld-，andiioywhichiscalledartistidtowhierlyusedtodevoteallmystrength，notonlylostformethesignifierlyascribedtoit，butevelydistastefultomeonaproperplacewhichithadomylifeandwhieralitotheehyclasses.
[6]ForthisreasonIwasatthattimeiedinsuchprodusastheourgenevreeoobligehim，Ireadthebookwhichhegaveme.
[7]Judgingfromthefirststory，MaisonTellier，Iothelpbutsee，iheiandinsignifitsubjectofthestory，thattheauthorpossessedwhatiscalledtalent.
[8]Theauthoriththatparticulargift，calledtalent，whisistsihor’sabilitytodirect，agtohistastes，hisiraiothisorthatsubjesequenceofwhichtheauthorwhoisehisabilityseesisuposhisattentiohihingwhichothersdidnotsee.MaupassalypossessedthatgiftofseeingihingwhichothersdidojudgefromthesmallvolumewhichIhadread，hewasdevoidoftheditionnecessary，besidestalent，foratrulyartisticprodu.
[9]Ofthethrees:
1.acorrect，thatis，amoralrelatioothesubject，
2.theessofexpositioyofform，whichisthesame，and
3.sihatis，anundisguisedfeeliredforwhattheartistdescribes.
[10]Maupassantpossessedowo，airelydevoidofthefirst.Hehadis，nomoralrelatiosdeswhatIhadread，IwascedthatMaupassaalent，thatis，thegiftofattention，whitheobjedphenomenaofliferevealedtohimthosequalitieswhiotvisibletoothermen;healsopossessedabeautifulform，thatis，heexpressedclearly，simply，aifullywhathewishedtosay，andalsopossessedthatoftheworthofanartisticprodu，withoutwhichitdoesnotproduyeffecerity—，thatis，hedidnotsimulateloveorhatred，butactuallylovedahedescribed.Butunfortunately，beihefirst，almostthemostimportantoftheworthofanartisticprodu，oftheoralrelationtoreseis，ofthekhediffereweengoodandevil，helovedaitwasnhttolovea，anddidnotloveanddidheoughttohavelovedahustheauthorinthislittlevolumedescribeswithmuchdetailandlovehowwomemewomen，andevensomeinpreheies，resentedinLaFemmedePaul，ahelabtrypeople，notonlywithievenwithpt，assomanyanimals.
[11]ParticularlystrikingwasthatlackofdistiweenbadandgoodioryUiedee，inwhitheformofamostdamusi，hegivesadetailedatofhowtwogehbaredarms，rowinginaboat，simultaheoneanoldmother，aherayoungmaideer.
[12]Theauthor’ssympathyisduriimeobviouslytosuextentoworascals，thatheignores，or，rather，doeshetemptedmirl，thefather，andtheyoulythefiaer，musthavesuffered，aoashogdesofadisgustiheformofanamusiheeventitselfisdescribedfalsely，beostinsignifitsideofthesubject，thepleasureaffordedtotherascals，isdescribed.
[13]Ihereisastory，“Histoired’uneFilledeFerme”
，whievreeomemoreparticularly，andwhichmoreparticularlydispleasedmeonatoftheauthor’siio.Theauthorapparentlyseesinallthewpeoplewhomhedesothingbutanimals，whodonotriseabovesexualandmaternallove，aiohaificialimpression.
[14]Theiprehensionofthelivesahewclasses，aionofthemenfromthosetheformofhalf-animals，whicharemovedoy，malidgreed，formsohedmostimportahemajorityofthemoderhthemMaupassant，notonlyinthisstory，butalsoiories，iouthepeopleandalwaysdescribesthemascoarse，dullanimals，whomonelyridicule.Ofcourse，theFrenustkionsoftheirpeoplebetterthanIk，althoughIamaRussialivedwiththeFrenchpeople，Ihelessassertthat，indesgtheirmasses，theFrenchauth，andthattheFrebeastheyaredescribed.IfthereexistsaFra，withhertrulygreatmenandwiththosegreattributionswhichthesegreatmeosce，art，civilpolity，andthemoralperfeanity，thmasses，whichhaveheldupontheirshouldersthisFramen，donotals，butofmeualqualities;andsoIdoIamtoldinnovelslikeLaTerre，andinMaupassant’sstories，justasIshouldnotbelieveifIweretoldoftheexistenceofabeautifulhousestandingonnofoundation.ItisverypossiblethatthehighqualitiesofthemassesarenotsuchasaredesLaPetiteFadetteandinLaMareauDiable，butthesequalitiesexist，thatIkaierwhodescribesthemasses，asMaupassaellingsympatheticallyofthe“hand“ges”
ofBretoidwithptandridiculethelifeofthelabpeople，itsagreaterrorinanartistise，becausehedescribesthesubjeohemostuing，physicalside，aelyoverlookstheother，themostimportant，spiritualside，whistheesse.
[15]Ihereadingofthevolumewhievgavemeleftmepletelyiheyoungwriter.
[16]Iwasatthattimesodisgustedwiththestories，Uiedee，LaFemmedePaul，andHistoireD’uneFilledeFerme，thatIdidnotatthattimeifulstory，LePapadeSimon，andthesuperbstory，sofarasthedesofanightised，Surl’Eau.
[17]“Thereareiherearesomanywhtowrite，anumberofpeoplewithtalent，whodonotknolyit，orwhoboldlyapplyittowhatoughtnotandshouldnotbedescribed，”
Ithought.Itenevso.AirelyfotaboutMaupassant.
[18]ThefirstthingfromMaupassant’swritingswhichafterthatfellintomyhandswasUneVie，whiebodyadvisedmetoread.ThisbookatoncemademegemyopiniMaupassant，aIreadwithihingrittenoverhisname.UneVieisaonlyinparablythebestnovelbyMaupassant，butalmostthebestFrenovelsiniserables.Besidestheremarkablepowerofhistalent，thatis，ofthatpeculiar，straiioedupo，inceofwhichtheauthorseeseuresinthelifewhichheisdesg，thisnovelbitoanequaldegree，allthreesofatrueartisticprodu:
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